Ellen Terry: The Victorian Actress Who Became Britain’s Leading
Shakespearean Star
Today I want to find out a little about Ellen Terry, one of the most
celebrated actresses of the Victorian era. Her remarkable career lasted for
almost seventy years, taking her from the London stage as a child performer to
becoming one of Britain’s best-known Shakespearean actresses.
Alice Ellen Terry was born on the 27th of February 1847 in Coventry,
Warwickshire. Acting was very much a family profession. Her parents, Benjamin
and Sarah Terry, were both performers, and several of Ellen’s brothers and
sisters would also go on to work in the theatre.
Ellen was introduced to the stage incredibly young. At just nine years old,
she appeared as Mamillius in Shakespeare’s The Winter’s Tale at the Princess’s
Theatre in London. She went on to play other Shakespearean roles during her
childhood, including Puck in A Midsummer Night’s Dream and Prince Arthur in
King John.
By her teenage years, Ellen was already an experienced performer, appearing
in theatres around Britain as well as in London.
Her personal life, however, became complicated at an early age.
As a teenager, Ellen became acquainted with the respected artist George
Frederic Watts, who was around thirty years older than her. Watts painted
several portraits of the young actress, and the pair married in February 1864,
just days before Ellen’s seventeenth birthday.
The marriage was really unhappy and they separated within a year.
Ellen eventually returned to acting, but in 1868 she left the stage again
after beginning a relationship with architect and designer Edward William
Godwin. As Ellen was still legally married to Watts, their decision to live
together caused a huge scandal in Victorian society.
Ellen and Godwin had two children, Edith and Edward, but their relationship
eventually came to an end. By 1874, Ellen had returned to the theatre once again.
Her comeback was extremely successful.
She received particular praise for her performance as Portia in
Shakespeare’s The Merchant of Venice. Her reputation continued to grow, and in
1878 she began the professional partnership that would define much of her
career.
Actor and theatre manager Henry Irving invited Ellen to become his leading
lady at London’s Lyceum Theatre.
Irving and Terry became one of the most famous theatrical partnerships of
the Victorian period.
Ellen appeared opposite Irving in numerous productions and became
particularly associated with Shakespeare. Her roles included Ophelia in Hamlet,
Desdemona in Othello, Beatrice in Much Ado About Nothing, Lady Macbeth in
Macbeth and Katherine of Aragon in Henry VIII.
Her portrayal of Portia remained one of her best-known performances.
Ellen and Irving also toured extensively, including several highly
successful visits to North America. For more than twenty years, she was widely
regarded as one of Britain's leading Shakespearean actresses.
One of the most memorable images of Ellen came from her appearance as Lady
Macbeth in 1888. Her green costume was decorated with thousands of shimmering
beetle-wing cases and was later immortalised in a famous portrait by artist
John Singer Sargent.
After leaving the Lyceum, Ellen continued performing, although an attempt to
manage London’s Imperial Theatre in 1903 was unsuccessful.
She later went on lecture tours in Britain, America and other places,
speaking about Shakespeare’s female characters and sharing her theatrical
experience.
Ellen also embraced the relatively new format of cinema. Beginning in 1916,
she appeared in several silent films while continuing to perform and lecture.
Her contribution to British theatre eventually received official
recognition. In 1925, King George V appointed her Dame Grand Cross of the Order
of the British Empire, making her one of the earliest actresses to receive such
an honour for her professional career.
Ellen Terry died on the 21st of July 1928 at her home, Smallhythe Place in
Kent, at the age of eighty-one.
Her career helped to raise the status of professional actresses, and her
performances, photographs, portraits and surviving recordings continue to
preserve her story.